Several Weeks in Review

It's been a while since I recorded my weekly film viewing. My last post was up to the end of March. Here's what I've seen since, though I'm not going to summarise them all.

31 March - 6 April
FILMS:

• Muere de un ciclista (Death of a Cyclist, Juan Antonio Bardem, Spain/Italy, 1955)
• Los Tarantos (Francisco Rovira Beleta, Spain, 1963)
• La leyenda del tiempo (The Legend of Time, Isaki Lacuesta, Spain, 2006) + Q&A with the director
  

This weeks was all La Mirada - Jewels of Spanish Cinema. My focus was on the classics, though I snuck in The Legend of Time, an extraordinary film and talking with the director was great. All three of these films was well worth seeing.

7 - 13 April
FILMS:

• El desencanto (Disenchantment, Jaime Chávarri, Spain, 1976)
• Viridiana (Luis Buñuel, Mexico/Spain, 1961)
• Placido (Luis García Berlanga, Spain, 1961)
• El pisito (The Little Flat, Marco Ferreri & Isidoro M. Ferry, Spain, 1959)
• La vida por delante (Life Ahead, Fernando Fernán Gómez, Spain, 1958)
• Be Kind Rewind (Michel Gondry, USA, 2008)

I liked Viridiana, which was a surprise film, but most of the other films at La Mirada were so-so. Viridiana was selected by Paul Auster and the other classics were selected by Pedro Almodóvar. Many of the classics watched this week were fairly insipid dramas or melodramas with the qualities of Almodóvar's films that I don't like. Note to myself: be more selective with Almodóvar's picks next year.

14 - 20 April
FILMS:

• La nuit américaine (Day For Night, François Truffaut, France/Italy, 1973)
• La mariée était en noir (The Bride Wore Black, François Truffaut, France/Italy, 1968)
• Vesyolye rebyata (Jolly Fellows, Grigori Aleksandrov, USSR, 1934)
• Alexander Nevsky (Sergei M. Eisenstein & Dmitri Vasilyev, USSR, 1938)
• Letyat zhuravli (The Cranes Are Flying, Mikhail Kalatozov, USSR, 1957)
• Stalker (Andrei Tarkovsky, USSR, 1979)
• Auf der anderen Seite (The Edge of Heaven, Fatih Akin, Germany/Turkey/Italy, 2007)

Day For Night is great, and joins Catherine Breillat's Sex is Comedy among others (that I can't think of) that is a great behind the scenes of film-making. ACMI had its Focus on a Century of Russian Cinema; it was great to see Stalker, which I liked a lot. The other highlight was The Edge of Heaven, a film I found flawed but with such strengths that overshadowed them that it didn't matter. The film ends at Trabizon, the ancestral home of my partner.

21 - 27 April
FILMS:

• Jules et Jim (Jules and Jim, François Truffaut, France, 1961)
• La sirène du Mississipi (Mississipi Mermaid, François Truffaut, Italy/France, 1960)
• Transylvania (Tony Gatif, France/Romania/UK/Hungary/Italy, 2006)
• Dyadya Vanya (Uncle Vanya, Andrei Konchalovsky, USSR, 1970)
• Molière (Laurent Tirard, France, 2007)
• Voskhozhdeniye (The Ascent, Larisa Shepitko, USSR, 1976)
• Bronenosets Potyomkin (Battleship Potemkin, Sergei M. Eisenstein, USSR, 1925)

More of Truffaut at Melbourne Cinémathèque, but not as impressive this week. Transylvania is absolutely sensational and I've since ordered the DVD from Europe. With Paranoid Park, it is my favourite film of the year so far. The music, dance, story and visuals are all mind-boggling moving.

28 April - 4 May
FILMS:

• Les quatre cents coups (The 400 Blows, François Truffaut, France, 1959)
• Les deux anglaises et le continent (Two English Girls, François Truffaut, France, 1971)
• Nine Lives (Rodrigo Garciá, USA, 2005)
  

DVD:

• Dekalog: 6 (Krzysztof Kieslowski, Poland, 1988)

Truffaut was good and I think I need to see 400 Blows again. I started watching Dekalog late last year and decided it was time to finish it.

5 - 11 May
FILMS:

• Kanal (Andrzej Wajda, Poland, 1957)
• Czlowiek z marmuru (only watched 90 mins) (Man of Marble, Andrzej Wajda, Poland, 1977)
• Iron Man (Jon Favreau, USA, 2008)
• Demonstrator (Warwick Freeman, Australia, 1971) +Q&A

DVD:

• Dekalog: 7 (Krzysztof Kieslowski, Poland, 1988)

I was very sick this week and shouldn't have gone to Cinémathèque, but did. Kanal was gripping and I wanted to see a few minutes of Man of Marble to get a sense of what it was like. I had to get home to bed but couldn't pull myself away, staying for 90 minutes. I have to see it in full.

12 - 18 May
FILMS:

• Wesele (The Wedding, Andrzej Wajda, Poland, 1973)
• Panny z Wilka (The Maids of Wilko, Andrzej Wajda, Poland/France, 1979)
• Shadows (John Cassavetes, USA, 1959)
• Faces (John Cassavetes, USA, 1968)
• The Killing of a Chinese Bookie (John Cassavetes, USA, 1976)
• A Constant Forge - The Life and Art of John Cassavetes (Charles Kiselyak, USA, 2000)

DVD:

• Streetsweeper (Neil Mansfield, Australia, 2007)

ACMI had its Focus on John Cassavetes and all the above films were sensational. Shadows is a remarkable debut and an extraordinary film for its day. Faces has amazing performances and The Killing of a Chinese Bookie was a great vehicle for Ben Gazzara, putting his charismatic performance centre-stage. Mansfield's Streetsweeper hasn't been distributed yet - I received a DVD screener. I loved it and hope to write on it. It has many elements that resonate with me, particularly its observational nature and its ambiguity. The cinematography and sound are great, though it's hard to describe its unconventional narrative.

19 - 25 May
FILMS:

• Popiól i diament (Ashes and Diamonds, Andrzej Wajda, Poland, 1958)
• Krajobraz po bitwie (Landscape After Battle, Andrzej Wajda, Poland, 1970)
• A Woman Under the Influence (John Cassavetes, USA, 1974)
• Love Streams (John Cassavetes, USA, 1984)

DVD:

• Dekalog: 8 (Krzysztof Kieslowski, Poland, 1988)

Dekalog is arguably the best cinema made for television. It is technically amazing, but more importantly it is full of depth, profound, and explores all kinds of moral dilemmas with various subtle subtexts in the background. #8 is perhaps my favourite of the ten, and for me it is clearly revelatory of Kieslowski's personal philosophy. The elderly female lecturer enunciates a belief system that I had presumed to be Kieslowski's. Both Cassavetes films are fantastic.

26 May - 1 June
FILMS:

• Man bo nu lang (Mambo Girl, Yi Wen, Hong Kong, 1957)
• Flight of the Red Balloon (La voyage du ballon rouge, Hou Hsiao-hsien , France, 2007)

DVD:

• Dekalog: 9 (Krzysztof Kieslowski, Poland, 1988)
• Dekalog: 10 (Krzysztof Kieslowski, Poland, 1988)

Thank god for DVD and thanks also for Kieslowski, possibly my favourite film-maker. Flight of the Red Balloon totally fails. How can you have a tribute to the original by using a red balloon that is barely seen and has none of the original's personality? Bland, bland, bland and all the more so because both Nova and Como cinemas are screening from a digiBeta. Apparently Sydney got 35mm, but even that wouldn't save it for me. I usually love Binoche, but she was also bland.

2 - 8 June
FILMS:

• Happy-Go-Lucky (Mike Leigh, UK, 2008)
• The Chronicles of Narnia: Prince Caspian (Andrew Adamson, UK/USA, 2008)

DVD:

• Blizna (The Scar, Krzysztof Kieslowski, Poland, 1976)
• Przypadek (Blind Chance, Krzysztof Kieslowski, Poland, 1981)
• Bez końca (No End, Krzysztof Kieslowski, Poland, 1984)
• Krzysztof Kieslowski: I'm So-So… (Krzysztof Wierzbicki, Poland/Denmark, 1995)
• Krótki film o zabijaniu (A Short Story About Killing, Krzysztof Kieslowski, Poland, 1988)

Mike Leigh has crafted a magnificent film, a comedy that really works, and I intend to write more on this shortly. It opens at the end of the month and hopefully word will get out how funny, moving and intelligent this film is. It's as good as anything I've seen by Leigh (starting with Secrets and Lies up to Vera Drake). The thought of Leigh making a film about an impossibly happy woman sounds almost unbelievable. This is my third favourite cinema release of the year. And more Kieslowski - a great week. I picked up many subtle details I missed in my first viewing of Blind Chance and I think all his films deserve multiple viewings. No End and A Short Story About Killing are both extraordinary.


I've had health issues lately. I have a condition - I've forgotten it's name - and I've had to give more priority to getting sufficient sleep and exercise, something I've neglected of late. My current job is also more demanding than previous contracts I've had. I'm still doing French classes at Alliance Française and that's coming along slowly but steadily. I also have conversation classes on the weekend with a French national staying here until the end of the year.

I've taken up bike-riding as a means of forcing myself to include exercise into my (near) daily routine. It's half an hour in the morning and evening and I'm loving it. I started just before Easter, which was just after that really late heat wave in Autumn when the weather reached the mid-high 30's. I've lost about 4 kilograms of weight so far, though I'm more interested in losing flab than weight. And more important than both is getting fit and strong. I'm slowly getting there. I'm hoping to lose another 10kg over the next year, then I should be my optimum weight.

I've had something like ten close shaves with death in my life, though none for about 12 years or so. I've been involved in four car accidents where the vehicle rolled over, 3 of them at high speed. I emerged from each seemingly unscratched, yet a dozen or so years later it came out that I had a neck injury that hadn't been detected. That's also causing me some problems that have forced me to make more effort to get fit.

As the year has progressed, there's been a number of cinema releases that I wouldn't mind seeing, but haven't been big priorities. Consequently, a number of films have come and gone before I got the chance to see them. I suppose I'm becoming more selective about which films I go to. I do get invites to media screenings, but as many of these are during business hours, I haven't been able to get to as many as I'd like to.

I'm planning to take two and a half weeks off work for MIFF again this year. I expect to average 2 films a day with a focus on writing on everything I see (as I did last year).

That pretty much brings me up-to-date, though there's a zillion details that I don't care to go into. My film-going has been regular if my writing hasn't. C'est la vie !

One last thing: I have a number of film titles that are on my list to see. Any feedback on what to see and what to avoid is appreciated. They are:

• A Secret
• The Orphanage
• Gone Baby Gone
• Heya Fawda
• Love in the Time of Cholera
• Rats and Cats