tag:blogger.com,1999:blog-34898184.post5055621011248766645..comments2023-07-25T18:12:10.051+10:00Comments on Melbourne Film Blog: The Week in Review - 31/5/09Paul Martinhttp://www.blogger.com/profile/10965628567103267009noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-34898184.post-67016072655393700972009-06-03T23:48:05.396+10:002009-06-03T23:48:05.396+10:00You're right, Lynden, about flirting with diff...You're right, Lynden, about flirting with difficulty and then shying away. While watching it, I was thinking what could Watts do to lift it. I don't know, it all seemed real enough, but being real isn't enough. Being authentic isn't enough. It's gotta grab you by the jugular, and it doesn't.<br /><br />I didn't mind the visuals so much. It might have been drab butPaul Martinhttps://www.blogger.com/profile/10965628567103267009noreply@blogger.comtag:blogger.com,1999:blog-34898184.post-56930081551346498892009-06-02T23:18:42.716+10:002009-06-02T23:18:42.716+10:00I pretty much agree on My Year Without Sex, I like...I pretty much agree on My Year Without Sex, I liked a lot about the film. I think Sacha Horler is terrific in it and I love the domestic femininity of the script and its bittersweet observations, the way it captures a gentle absurdity in everyday life. In this it follows in the steps of Watt's short animations (in a way that Look Both Ways for some reason didnt). I definitely think it's worth Lynden Barberhttps://www.blogger.com/profile/02929168387391614077noreply@blogger.com